Guide to the Papers of David
Friedman (1893-1980),
1910-2007
AR 6988/MF 742
Processed by Michael Simonson
Leo Baeck Institute
Center for Jewish History
15 West 16th Street
New York, NY 10011
Phone: (212) 744-6400
Fax: (212) 988-1305
Email: lbaeck@lbi.cjh.org
URL: http://www.lbi.org
© 2007z Leo Baeck Institute. All rights reserved.
Center for Jewish History, Publisher.
Finding aid was encoded by Lea Osborne on March 12, 2007. Description is in English.
Descriptive Summary | |
| Creator: | Friedman, David, 1893-1980 |
|---|---|
| Title: | David Friedman Papers |
| Dates: | 1910-2007 |
| Abstract: | David Friedman (Friedmann; 1893-1980) was an artist in Berlin. During the Nazi Holocaust, he was incarcerated in the Lodz Ghetto and Auschwitz. He resumed his artistic career immediately after the war and then immigrated to the United States. His papers include artwork, memoirs, and essays focusing on his experiences in the Holocaust. |
| Languages: | The collection is in English, German, Czech and Polish. |
| Quantity: | 0.5 linear feet |
| Identification: | AR 6988/MF 742 |
| Repository: | Leo Baeck Institute |
Biographical Note
(Please note that some of this biographical material was provided by his second daughter Miriam Friedman Morris.)
David Friedman (Friedmann) was born in 1893 in Mährisch Ostrau, Austria (now Ostrava, Czech Republic). He moved to Berlin in 1911. There he learned the techniques of copper etching and lithography from Hermann Struck and was awarded a scholarship to study art with Lovis Corinth. With the breakout of World War I, he volunteered for the Austro-Hungarian Army. He served as an army artist between the years 1917 and 1918. During this time, Friedman was commissioned to draw battle scenes. He also sketched and painted portraits of generals and soldiers who had distinguished themselves in battle.
After returning to Berlin, Friedman had his first exhibition at the Akademie der Künste in the spring of 1919. He also published some of his works in the Jewish newspaper, Schlemiel. Friedman gained recognition for his artistic work that was published in various newspapers as well as exhibitions in the Berliner Secession and numerous galleries throughout Germany. His specialty was portraits drawn from real life. Besides politicians and dignitaries, Friedman produced portraits of famous celebrities, opera singers, actors, musicians, and sports stars. Some individuals of note that posed for him included Albert Einstein, Ramsay MacDonald and Yehudi Menuhin. He was also renowned for a series of lithographs, Köpfe berühmter Schachmeister (Portraits of Famous Chess Masters) and Das Schachmeister-Turnier in Mährisch Ostrau, Juli 1923 (The Chess Master Tourney in Mährisch Ostrau, July 1923).
In December 1938, Friedman fled from the Nazis with his wife Mathilde and their infant daughter, Mirjam Helene, to Prague. In Prague, Friedman produced many portraits of prominent Jews and personalities, including František Weidmann, Jakob Edelstein, Fredy Hirsch, and František Zelenka. Some of these photograph reproductions survived; however, the majority of all artwork produced in Germany, and later in Prague, was confiscated by the Gestapo.
The Friedman family was deported on October 16, 1941, in the first transport from Prague to the Lodz Ghetto, in Poland. In the Lodz Ghetto he was a contributor to the “Chronicle of the Lodz Ghetto 1941-1944", along with Oskar Rosenfeld and others. In August of 1944 he was deported to Auschwitz, after having been separated from his family. Neither his wife nor daughter survived. Friedman was a slave laborer in the Auschwitz-Birkenau satellite camp Gleiwitz I. This was followed by a death march to the Blechhammer concentration camp. He was liberated towards the end of January 1945 at the age of fifty-one.
Friedman began a new collection portraying what he had witnessed and experienced during his internment, translating his memories into over 100 individual works. They depict his experiences and scenes from the Holocaust, from his deportation from Prague, to his survival in the Lodz Ghetto and the subsequent Nazi death and labor camps. His series entitled Because They Were Jews! was the first art collection to be accepted by the United States Holocaust Memorial Museum in Washington D.C. Seven of his drawings produced in 1945 surfaced in the collections of the Yad Vashem Art Museum in Jerusalem. Friedman also created works during his incarceration in the ghetto and at Auschwitz-Birkenau. These pieces were lost except for one drawn portrait found in the collections of the State Museum of Auschwitz-Birkenau.
In 1948, David Friedman married Hildegard Taussig, a survivor of Theresienstadt, Auschwitz-Birkenau, and Christianstadt. They went to Israel in 1949. In 1954 the Friedman family, including their daughter Miriam, immigrated to the United States. Friedman worked as a commercial artist with General Outdoor Advertising Company (GOA). The company transferred him from New York City to Chicago, and finally, to St. Louis. In 1960 the family became United States citizens and dropped the double "n" in the spelling of their name.
David Friedman continued to create and exhibit works of art throughout his life. He died in 1980 in St. Louis.
Return to the Top of PageScope and Contents
The David Friedman collection consists of a vast amount of digital files placed on one CD. This CD contains images of David Friedman’s artwork, articles about the artwork, restitution information, memoirs and other text by his daughter Miriam about her father’s artwork and her parent’s lives, and some biographical material written by her parents and others. Most of the material focuses on David Friedman’s experiences in the Holocaust and his artwork reflecting that time, but there is also a wealth of information on his pre-war career as an illustrator in Berlin, and some documentation by attempts of the family to receive restitution for artwork confiscated by the Gestapo. Other material not on the CD consists of a draft of memoirs by David Friedman, illustrations of entertainment figures in Berlin who appeared on German Broadcasting in the 1920’s ( Der Deutsche Rundfunk, 1924-1927), and a diary handwritten by David Friedman in 1945.
Return to the Top of PageArrangement
This collection has been arranged in one series.
Return to the Top of PageRestrictions
Access Information
Readers may access the collection by visiting the Lillian Goldman Reading Room at the Center for Jewish History. We recommend reserving the collection in advance; please visit the LBI Online Catalog and click on the “Request” button
Access Restrictions
Researchers must use microfilm (MF 742).
Use Restrictions
There may be some restrictions on the use of the collection. For
more information, contact:
Leo Baeck Institute, Center for Jewish History,
15 West 16th Street, New York, NY, 10011
email:
lbaeck@lbi.cjh.org
Access Points
-
Individuals:
- Friedman, David, 1893-1980
- Friedman, Miriam
- Taussig, Hildegard
-
Subjects:
- Jewish artists-Germany-Berlin
- Auschwitz (Concentration camp)
- Holocaust, Jewish (1939-1945), and art
- Jewish ghettos-Poland-Łódz
- Theresienstadt (Concentration camp)
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Places:
- Berlin (Germany)
- Czechoslovakia
- Israel
- Theresienstadt (Concentration camp)
- United States
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Document Types:
- Computer Disc
- Correspondence
- Diary
- Manuscripts
Microfilm
The collection is available on one reel of microfilm.
- Reel 1: 1/1 - 1/6
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); David Friedman Papers; AR 6988; box
number; folder number; Leo Baeck Institute.
Container List
David Friedman Papers, 1910-2007. | |||
| This series is in English, German, Czech, and Polish. | |||
| 0.5 linear feet | |||
Arrangement:Topical | |||
| Box | Folder | Title | Date |
| 1 | 1 | AV Materials | 1910-2007 |
The majority of the material that makes up the David Friedman Collection is to be found on one CD. This CD contains images of David Friedman’s artwork, articles about the artwork, restitution information, memoirs and other text by his daughter Miriam about her father’s artwork and her parent’s lives, and some biographical material written by her parents and others. Most of the material focuses on David Friedman’s experiences in the Holocaust and his artwork reflecting that time, but there is also a wealth of information on his pre-war career as a painter in Berlin, and some documentation by attempts of the family to receive restitution for artwork confiscated by the Nazis. Documentation exists also of Hildegard Taussig and her experiences during the war, including autobiographical information and surviving correspondence with family members at the time, and a photo of her in Auschwitz-Birkenau, discovered in "The Auschwitz Album." There are photographs of members of David Friedman’s life, including both his first and second wife and first and second daughter, from both the pre-war and post-war period, as well as from Prague before his first family’s deportation to Poland in 1941. The material on the CD is loosely arranged into titled folders. The contents of this CD is also saved in the Leo Baeck Institute digital archive. |
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| 1 | 2 | Draft of Memoir, "Drive to Art" (Trieb zur Kunst) | 1911-1914 |
"Drive to Art" is an autobiographical text by David Friedman, including his recollections of moving to Berlin, his work as a sign painter, his "driving force" to art, as well as his escapades and romantic involvements with women. He also details his move to work at the municipal theatre in Erfurt in 1914, and his subsequent return to Berlin. |
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| 1 | 3 | Portraits, "German Broadcasting" (Der Deutsche Rundfunk) | 1920-1930 |
David Friedman produced portraits of famous celebrities, opera singers, actors, musicians, and sports stars that appeared on German radio. These portraits appeared in publications for German Radio, and in newspapers of the time. |
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| 1 | 4 | Postcards from Theresienstadt | 1942 February-March |
The postcards are from Karl and Hildegard Taussig (who became David Friedman’s second wife) to Irma Taussig. Karl and Irma were married and Hildegard was their daughter. Due to poor health, Irma was not deported to Theresienstadt but died soon after the deportation of her husband and daughter. |
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| 1 | 5 | Diary of David Friedman following Liberation | 1945 January-September |
David Friedman kept a diary following his liberation in 1945. The first folder contains his writings from January to May of that year. Though handwritten and difficult to read, a typed translation follows written sections. In the case of January 28, 1945, there is also a translation into English. In this entry David Friedman recalls his deportation from the Łódź Ghetto to Auschwitz-Birkenau in August and September 1944. The very end of the folder contains a letter to his brother-in-law in Tel-Aviv, describing the fate of himself and his family during the war years. It was originally folded up and kept within the pages of the diary, and appears to have been written shortly after his liberation. |
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| 1 | 6 | Israel | 1949 |
A small manuscript written by David Friedman consisting of his impressions of Israel upon his immigration there is in this folder. The manuscript is only a few pages, and is intermixed with artwork depicting scenes coinciding with his experiences in Israel. |
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